It was that one furtive kiss that separated Sora and Koto.
When Sora comes out to her family they turf her out onto the streets. Koto seeks refuge in her piano and heads to Melbourne for a wild few years at music college. They reunite years later in Tokyo where Koto discovers Sora is asexual, so she sets out on a radical journey to be just like her.
With their cousins they form a band—The Warrior Queens—playing Electronic Dance Music, live and improvised. It’s a hit and they begin touring. But Koto’s solo piano career takes off, too, and Sora agrees to manager her. They get busy with gigs—Koto’s piano, The Warrior Queens, and Sora’s regular jazz gig. But trouble lurks. A brutal assault from Sora’s time on the streets comes back to haunt her when a shocking video surfaces in the media. She recognises the perpetrators as they face court, but they go free, which sends her into a fit of incandescent rage. But those around her rally and, without Sora’s knowledge, hatch an elaborate plot to seek justice of their own.